TikTok Dissed by “The New York Times”
“Is TikTok Over?” asked The New York Times on the cover of its Sunday, February 25, 2024’s Arts & Leisure section, explaining that (…)
“Is TikTok Over?” asked The New York Times on the cover of its Sunday, February 25, 2024’s Arts & Leisure section, explaining that (…)
The Berlin Film Festival held its award ceremony on Saturday night, crowning French-Senegalese Mati Diop as Best Director for her documentary Dahomey (pictured). She’s the first black director to win (…)
MIPTV has announced that six weeks from the market’s opening day (April 8, 2024) over 100 exhibitors, including major studios and distributors, are confirmed to host stands on the (…)
Red Arrow Studios International has signed a raft of new deals for mystery drama The Gone, including to the BBC in the U.K., SBS and Acorn in Australia and Canal+ (…)
Acunmedya has acquired a 50 percent stake in Sport1 Medien, a wholly owned subsidiary of Switzerland-based Highlight Communications. As part of this strategic alliance, reality format Exatlon will launch on (…)
Laurence Herszberg, founder and general director of Series Mania (set to take place in Lille on March 15-22, 2024), has announced the 15 projects of the Co-Pro Pitching Sessions. An (…)
Turkish drama series Bitter Lands (“Bir Zamanlar Çukurova”) from prodco Tims&B Productions — produced by Timur Savcı and Burak Sağyaşar — continues its successful journey as Terra Amara in Italy, (…)
Polish pubcaster Telewizja Polska has unveiled new Polish-language feature film Shattered Games.
Produced by TVP and executive produced by Studio Basta, Shattered Games explores Poland’s rich history and influence in the game (…)
The European Film Market (February 15-21, 2024) closed its doors yesterday, registering over 12,000 participants from 143 countries.
More than 614 exhibiting companies and institutions from 69 countries showcased their content (…)
The Impact Network has entered into a multi-year licensing partnership with A+E Media Group®. The deal is part of a commitment to diversify and expand Impact’s content and brand in (…)