MIP London: The Wait is Over
Today is the day. MIP London started yesterday, Sunday, February 22, 2026, but today, Monday, is when the industry will determine if the event is a resounding success, a so-so (…)
Today is the day. MIP London started yesterday, Sunday, February 22, 2026, but today, Monday, is when the industry will determine if the event is a resounding success, a so-so (…)
In their recent book, The Winner’s Curse, authors Richard H. Thaler, a Nobel Prize winner and co-director of the Cambridge, Massachusetts-based Behavioral Economic Project, and Alex O. Imas, a Behavioral (…)
The month of February has been here for a while now, so it’s about time that VideoAge gives the industry a roadmap for navigating the upcoming TV trade shows, festivals, (…)
By Jacques Barreau*
AI is able to create music, meaning some suites of chords with a melody on top of it, and some musicians will say, “So what?” But where is (…)
The metamorphosis of the television industry is now complete. It may have taken 85 years, but the U.S. television industry finally managed to get what it wanted from the start (…)
While participating in the combined Realscreen Summit/NATPE Global events in Miami, one cannot help but be reminded of the strategy behind Mip London… but with one marked difference. While the (…)
After an 11-day break, some Content Americas participants will move from the Hilton Miami hotel to the InterContinental hotel, also in downtown Miami, where Realscreen/NATPE Global will begin its five-day (…)
By Dom Serafini
This is reprinted from the January 21 printed version of VideoAge Daily.
For years now I’ve been complaining about the disconnect between the conference rooms and the market floor (…)
There was a time when industrialists, researchers, inventors, and scientists considered the good of humanity a better return than personal financial gain.
Today, though, the biggest tech companies don’t sell standalone (…)
All3Media International has secured the first international adaptation of The Inheritance with Brazil’s Globo.
The Brazilian version will be available exclusively on Globo’s VoD platform, Globoplay, and produced by Formata.