Advertising Going Immersive
After recently confronting “Attack Ads” in these digital pages, VideoAge is now looking at “Immersive Marketing,” which is closely associated with the XR (Extended Reality) market.
The “Attack Ads” practice started (…)
After recently confronting “Attack Ads” in these digital pages, VideoAge is now looking at “Immersive Marketing,” which is closely associated with the XR (Extended Reality) market.
The “Attack Ads” practice started (…)
Large payoffs for television rights to selective teams is changing the nature of sports, especially baseball, and it hasn’t anything to do with the “torpedo bats” (newly shaped, high-performance bats (…)
Together with philanthropist Joseph Vitale, TLN Media Group (TMG) has financed the establishment of a chair dedicated to a Minimally Invasive Cardiac Surgery Center at the University of Toronto’s (U (…)
After four successful editions, WAWA returned to computer screens worldwide with a fifth edition of WAWA’s First Look Turquía 2025, on Thursday, April 10. WAWA is the nine-year-old Worldwide Audiovisual (…)
The programs are here, and not just those related to content, but also those that have to do with logistics. The content part is easy to explain. Very few new (…)
Paramount is looking to produce two more spinoffs of the successful Yellowstone franchise, after 1883 and 1923. But those plans have hit a roadblock with NBCUniversal reclaiming exclusive rights to (…)
By Dom Serafini
Now that President Donald Trump’s administration has shut down the Voice of America (VoA) radio service, a welcome development for all the dictators who found that dissonant voice (…)
“The role of intimacy coordinators was developed within the mainstream film and television industry. This profession gained prominence following the #MeToo movement around 2017, highlighting the need for safer practices (…)
Cannes has helped Lille make Series Mania an even bigger success than previous years.
The closing of MIPTV, which took place in Cannes, in the south of France, in early April, (…)
In 2022 — the latest year for available figures for European theatrical fiction films — financing continues to be based primarily on five different financing sources: direct public funding, production (…)