Observations of Italy’s MFE
Picking up from the front cover story in VideoAge‘s November/December Issue, and commenting outside of the objective reporting expressed in that cover article, I wanted to share a few observations (…)
Picking up from the front cover story in VideoAge‘s November/December Issue, and commenting outside of the objective reporting expressed in that cover article, I wanted to share a few observations (…)
The latest skirmish between YouTube TV and programmers is between the streaming service and Disney’s TV networks, including ABC and ESPN. The issues are the same ones that YouTube had (…)
It is well known that the best way to prepare for a market is to consult VideoAge. And if someone has to get ready for two markets? Well, then there (…)
Out of the 135,600 listed actors in the U.S., it is estimated that just 8,600 of them have steady jobs. And those few who are in demand and work regularly (…)
Perhaps wanting to replicate Donald Trump’s MAGA cult in the U.S., Canadians are pushing MCGA (Make Canada Great Again), with an announcement that baseball, known as America’s pastime, was actually (…)
Last year, news broke that NBC is paying the National Basketball Association (NBA) $27.5 billion for the right to broadcast some of their games over the next 11 years.
This announcement (…)
At first glance, one might say that there isn’t really a need to hold a MIP London event this winter, although one is already scheduled for Sunday to Tuesday, February (…)
The October MIPCOM Cannes Issue of VideoAge returned with another edition of “Hall of Fame,” a feature that began in 2015, and was most recently seen in March 2022, after (…)
No time to relax after MIPCOM Cannes, folks. MIP Cancun is coming up in a few weeks and those TV executives who do business in LatAm are very aware of (…)
“It’s a generational shift.” That was how Lucy Smith, MIPCOM’s director, described this year’s edition of the Cannes market during an early-morning press conference yesterday, Wednesday, October 15, the third-day (…)