By Dom Serafini
This journalist reached out to Michael F. Goldman, someone he considered a “fellow Italian,” in 1991, when we at VideoAge were being unfairly financially penalized by the American (…)
Normally, summer evokes images of beaches with waves crashing, sunburns, sweaty trips to visit the in-laws, fattening ice cream, hangover-inducing mojitos, and other similarly pleasurable thoughts. Not this year. The (…)
By Alessandro Bettero*
Its official name is VatiVision, but it’s starting to be known as the “Vatican’s answer to Netflix.” The project is big and ambitious. Roman Catholics now have (…)
By Dom Serafini
Recently, we in the press — at least in our case — have been inundated by studies, analyses, research, predictions, projections, and visions of the future, which, we’re (…)
By Jacques Barreau*
The next big challenge in the media and entertainment business will be the talent pool. Regardless of the country or the language, the coming years are going to (…)
By Dom Serafini
Uncertainty doesn’t come from nowhere. It is man-made. It is often foreseen well ahead of time, but the warnings are regularly and deliberately ignored. Be it the destabilization (…)
By Melissa Hope*
Descriptive Video Works is an audio description (or AD) company. We create descriptions of what is happening on screen to help people who are visually impaired enjoy the (…)
Our team managed to publish two VideoAge editions (text, audio, PDF and print) during the lockdown!
We salute all our readers and advertisers. 1) Monica Gorgetto: Publisher
2) Dom Serafini: Editor-in-Chief (the only one at (…)
By Dom Serafini
During the COVID-19 lockdown, three things have become clear for the U.S. TV broadcast sector: ratings have gone up more than 35 percent, national advertising has gone down (…)
By Jacques Barreau*
Since the start of dubbing in Europe in the 1940s, the model hasn’t changed much. Dubbing studios spent (and still spend) the vast majority of their time hiring (…)
