Fremantle Lands France TV Presale for ‘An Hour on Earth’
Fremantle has secured a presale to France TV for An Hour on Earth (working title), a four-part series that captures the most critical moments in the day when the natural world (…)
Fremantle has secured a presale to France TV for An Hour on Earth (working title), a four-part series that captures the most critical moments in the day when the natural world (…)
Feature film Black Palace has begun production in the U.K. under director Nick Hamm (pictured).
Written by Jon Croker, the period drama is set in 1888 during the Jack the (…)
JK Media Group, the production company behind Chiquis Sin Filtro and La Trevi Sin Filtro, is expanding its unscripted format for ViX with the addition of Ninel Conde, the Mexican actress, (…)
Canadian independent producer Go Button Media has gone into production on Secrets of Cold War Ruins, a new six-hour history series.
Greenlit by Germany-based Autentic and Canadian broadcaster Super Channel, Secrets (…)
Dandelooo Cinéma, the feature film division of French animation company Dandelooo, has acquired international sales rights to Pikkuli and Starlight Reindeer, a new animated feature produced by Finnish studios AittoFlow and FIlmkompaniet.
Based on the preschool (…)
Epic Storyworlds — the company founded by Steve Couture and Ken Faier and a partner company to Faier’s Epic Story Media — has secured a deal with on-demand streaming platform (…)
Reboot Studios, the production arm of the nonprofit Reboot — co-founded by Steven Spielberg and Kate Capshaw’s Righteous Persons Foundation — is expanding into feature filmmaking with the unveiling of (…)
After 25 seasons in the Netherlands, the Warner Bros. International Television Production format Hello Goodbye will be adapted in Belgium for VRT.
Created by WBITVP label BlazHoffski, the format has generated (…)
Paramount Global Content Distribution has licensed the new four-part tennis docu-series Aces: The ATP No. 1 Club in key global markets.
The series will premiere today, June 22, on Prime Video (…)
By Dom Serafini
I don’t know if it is still the case today, but years ago, the top executives of the U.S. studios’ international distribution divisions were very fond of French (…)