Brazil’s Record TV brings to Cannes a diverse lineup of telenovelas, historical dramas, and Biblical adaptations. The rivalry between two scientists, Benjamin and Ricardo, brings about the Apocalypse (Apocalipsis). (…)
Italy’s Rainbow Group offers a varied product portfolio of animated and live-action content. 44 Cats (pictured) follows the adventures of cat musicians who learn lessons on friendship, altruism, and kindness. (…)
Based in Mumbai, India, One Life Studios distributes Indian television programming of all genres, including historical dramas, factual entertainment, and more. Emperor Porus (pictured) leads the company’s roster at MIP-TV. (…)
Multicom Entertainment Group is in Cannes to distribute a collection of feature films and series, including sports comedy, drama, and thrillers. Streaker (pictured) follows high school teacher Balz Naef who is (…)
Mondo TV Group is in Cannes representing a roster of live-action and animated titles for children and young teens. At the helm is Heidi, Bienvenida a Casa (pictured), which (…)
MISTCO offers a slate that includes dramas and animated adventures. Mehmetcik: Kûtulamâre (pictured) tells the epic tale of orphan Mehmet, who dreams of one day joining an elite troop (…)
Mediaset Distribution comes to MIP-TV on the Wind of Passions (pictured). This family saga tells the intertwined stories of Giovanna, a young Neapolitan searching for her true origins, and (…)
Lionsgate Entertainment brings a slew of series to Cannes, ranging from dramas to comedies to documentaries. Based on the best-selling novel by Stephanie Danler, Sweetbitter (pictured) tells the dramatic (…)
Kew Media Group distributes a comprehensive library of drama and comedy series, documentary features, kids’ series, and special event programming. The Bletchley Circle: San Francisco (pictured) is the latest (…)
Kanal D has historical dramas aplenty on tap. Historical drama Mehmed The Conqueror (pictured) follows the young sultan as he overcomes obstacles before finally conquering Constantinople. Set along the (…)
