October 2022
We live in a world in which shades of gray no longer exist. These days, everything is black or white. And television is not exempt from this. Actually, television personifies (…)
September 2022
The entertainment industry is going through an unprecedented era of transition, with new-school executives who find hard to deal with the daily innovations. But exceptions are starting to emerge in (…)
May 2022
To make new U.S. broadcast TV series valuable to streaming services, it would be wise for the studios to fully license them internationally first, instead of immediately folding them into (…)
March-April 2022
Who would have thought that in 2022 the film-TV industry’s most frequently heard whine would be: “I wanna go to an in-person market?” Just three years ago the cry was: (…)
January 2022
Streamers could take advantage of studios’ experience, while studios try to replicate streamers’ experiences, but neglect their own.
December 2021
Let’s talk about the lives of retired film and TV executives who insist on living in the past, as well as the exciting existences of those who, while no longer (…)
November 2021
After dealing with the pandemic disaster that has plagued the world for more than 20 months, why is it that, this time around most of the international TV sector still (…)
October 2021
Our love of the industry is comparable to the high level of anxiety it generates. It’s entertainment, so we should probably be having fun. But in our case, having fun (…)
August-September 2021
Condensing 41 years of international TV developments into just 41 VideoAge covers made me wonder if I had actually made a mistake and inverted the digits, so that instead of 41, just (…)