March-April 2022
Who would have thought that in 2022 the film-TV industry’s most frequently heard whine would be: “I wanna go to an in-person market?” Just three years ago the cry was: (…)
Who would have thought that in 2022 the film-TV industry’s most frequently heard whine would be: “I wanna go to an in-person market?” Just three years ago the cry was: (…)
For the new broadcast TV season, the U.S. networks are looking at 36 new pilots at the Upfronts in New York City (to be held May 16-19), of which 24 (…)
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This story was published in January 2022, prior to the Russian invasion of Ukraine.
In Russia, there are currently 11 major streaming platforms. But for the purposes of this report, VideoAge (…)
MIPTV is coming back to earth! After two years in cyberspace, with two virtual events in 2020 and 2021, the veteran TV trade market will land in Cannes for its (…)
Streamers could take advantage of studios’ experience, while studios try to replicate streamers’ experiences, but neglect their own.
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In May, The Los Angeles Times ran a lengthy article about how to pronounce the name of the newest sports platform, DAZN. Apparently, according to the paper, not even Jerry (…)
Pictured above at NATPE Miami 2020, panelists Fernando Barbosa of Disney Television
Latin America (l.), and Telemundo Studios’ Marcos Santana (r.) with Moderator Roko Izarra (…)
On November 17, organizers of the Asia TV Forum (ATF), which is set for December 1-3, 2021 in Singapore, sent a list of buyer and seller contacts that we at VideoAge (…)