Lots of real news, unsubstantiated rumors — and even an announcement — were swirling around the Palais during the most recent edition of MIP-TV, which ended on Thursday, April 11, (…)
The yearly pilgrimage to the Mecca of entertainment continues with the 56th annual L.A. Screenings, this year taking place May 14-23. But there will be a lot of changes this (…)
In order to deal with the devolution of windowing, or the changing patterns of media rights exploitation for audiovisual content, it is necessary to travel back in time to when (…)
With the increasing un-certainty, confusion, and unpredictability surrounding the 2019 edition of the L.A. Screenings, it’s a comfort to take stock of what actually is known.
It’s a definite that Twentieth (…)
There are many myths associated with Hollywood. One that persists to the present day is the one that asserts that women contributed only marginally to the film industry during its (…)
AI has already been implemented into our lives. It’s in our cars, our telephones, our computers, our transportation systems, and our hospitals. AI is helping us make decisions daily. But (…)
The advantages aren’t obvious at first, and the realization could be slow in coming, but MIP-TV organizers are feverishly working to assure the best return on investment (ROI) for exhibitors (…)
Canadian television is currently tackling two major issues: Multilingual broadcasts and the rating system. In the midst of these issues, two old-fashioned media brawls have broken out. At stake, in (…)
During a quick trip to Miami to gather info for a preview of NATPE from the market base, VideoAge heard several assessments of three interlinked trade shows, as well as (…)
En 1986, la escena de la televisión latinoamericana comenzaba a surgir como una fuerza en el mercado de exportación (tanto que VideoAge lanzó una versión en español, VideoEra). En su (…)
