The L.A. Screenings 2026 schedules are set, and judging from the extended dates, this year, they promise more participants than previous years. Early indications of a good market came from (…)
Content Europe, a new TV market set for April 21-23, 2026 in Lisbon, Portugal, was announced on August 22, 2025 by British trade publisher and TV market organizer C21. Eleven (…)
The most revealing AI conversation I’ve had recently wasn’t with a director. It was with a film producer who needed helicopters. In the old world, that request triggered a familiar (…)
For the 2026 FIFA World Cup, slated to be co-hosted by the United States, Canada, and Mexico from June 11 to July 19, FIFA (football’s world governing body) has sold (…)
It’s no secret that animation production — and children’s content in general — is facing a difficult period worldwide, particularly in Europe. The reasons are known: the declining appeal of (…)
At first glance, the utility of the second annual MIP London event may not be obvious. The RX-organized market is scheduled for Sunday to Tuesday, February 22 to 24, 2026, (…)
For over a century, cinema thrived under a simple logic: scarcity. Scarcity of access, of channels, of films. A few titles per year, often selected by faceless executives that decided (…)
The story of Gustavo Scaglione is just as interesting as the trajectory of Telefe, the Argentinean TV network that Scaglione, together with José Luis Manzano, acquired on October 23, 2025, (…)
Pier Silvio Berlusconi, the 56-year-old son of the late Silvio (founder of Italy’s Mediaset TV broadcast group), and Mediaset’s president, is inching closer to the realization of his MediaForEurope (MFE) (…)
The thing about memoirs is that it’s difficult to trust what any one person, successful or not, intelligent or not, qualified or not, has to say about his or her (…)
