In the past few decades, communication has changed dramatically between buyers and sellers of TV shows, movies, and new media. Yet, looking at preliminary attendance numbers for MIP 2017 — (…)
On a technical level, VideoAge considers Netflix a streaming service because it is carried over the Internet using encoded audio and video signals in a container such as MP4 (from (…)
In a highly competitive U.S. television marketplace, what does it take to be the best? At the recent Television Critics Press Tour, each of the U.S. network presidents talked about (…)
¿Cómo encarar la inversión en marketing, en dónde enfocarla en este 2017? ¿Los presupuestos para el año nuevo han aumentado o están en baja? ¿En qué difieren respecto a las (…)
It looks as though the American and most of the international media is up in arms about the upcoming Donald J. Trump presidency. It was certainly not expected, even though (…)
Football (or soccer, as it’s called in North America) is famous for being one of the least efficient sectors of the sports/ entertainment industry. Recent investment, however, has led to (…)
NATPE has been a familiar fixture on the TV distribution calendar for 37 years, but the TV industry has changed, and so has the event. Originally designed to serve the (…)
The Latin American presence in Singapore for the Asia TV Forum (ATF) international market is impressive, as usual — not so much for the number of exhibiting companies, but for (…)
At the recently concluded MIPCOM, which took place in the traditional Cannes setting from October 15-20, all major U.S. studios were in full force. In particular, CBS, Disney, NBCUni and (…)
Discop Johannesburg is now entering its fifth year. The event, to be held in its usual venue, the Sandton Convention Center, is expecting 250 exhibition companies eager to enter or (…)
