Jesse Baritz, Director, Content Acquisition and Development, for Los Angeles-based Multicom Entertainment Group, sent VideoAge‘s Water Cooler a first-hand report about his experience at the virtual American Film Market (AFM) (…)
The world at large is currently experiencing “Zoom fatigue” due to the extensive use of virtual face-to-face technology. This extensive use is imposed by fear of the coronavirus pandemic and (…)
By Dom Serafini
What has happened to American social and political researchers, surveyors, poll-takers, and data scientists? Lately, it seems like they never come up with any accurate projections.
In a recent (…)
In August 1986, VideoAge launched the world’s first TV Game $how Magazine, a New York City-based consumer monthly that, in its short life, reported on over 60 game shows, new (…)
The 41st annual American Film Market (AFM) begins today, Monday, November 9, 2020. It takes place in a virtual Santa Monica, California (its traditional city) in eight virtual venues (as (…)
VideoAge’s November Issue, soon to be available online, will let 12 international TV executives from eight countries frankly analyze the virtues and vices of the virtual TV markets that have (…)
Joe Wallach will be featured in the December 2020 Issue of VideoAge as the newest inductee into the publication’s Hall of Fame. Few people would drive from Los Angeles to (…)
The problems started early on at Milan’s MXP airport. It all began at the check-in area — even before the check-in area, really — what with the confusing directions as (…)
Until recently, his age was a well-kept secret, but what was well known about him were his peculiarities and his ingenuity. Pedro Font (pictured above), whose full name was Pedro (…)
On October 10, Italian film and TV production workers protested against the hardships caused by the coronavirus and the lack of government incentives and guidelines that are bringing the sector (…)
