The 27th edition of the Jornadas exhibition was advertised as a three-day event: September 19-21, so it was surprising for participants entering the basement area of the traditional Hilton Buenos (…)
Before the start of the L.A. Screenings 2017, it looked like we could have a remake of the L.A. Screenings 2008, which, under the weight of the writers’ strike that (…)
Early last month, VideoAge met JP Bommel, president and CEO of NATPE , for breakfast at a downtown New York City restaurant in order to go over NATPE Budapest plans.
Perhaps (…)
“The Italian media are currently fending off a so-called ‘French invasion.’ A total of 177 takeovers of Italian companies, by the French, took place between 2012 and 2016, while Vivendi (…)
En octubre pasado concurrí a la convención llamada “Video Everywhere Summit” organizada en Manhattan por la DPAA (Digital Place Advertising Association), que tiene sus oficinas en Nueva York.
Cerca de 28 (…)
Administering and keeping track of rights management is a nightmare for content distributors, especially the studios. It was simple when there were only a few rights to sell and windowing (…)
What began as a means of communication intended to bring people from around the world together has grown into a vehicle for instilling fear. The recent Oscars mishap and subsequent (…)
In many countries, for traditional television viewership, the best part of the week is made up of only five days. At the most, it’s six, but Sunday is a TV (…)
In the past few decades, communication has changed dramatically between buyers and sellers of TV shows, movies, and new media. Yet, looking at preliminary attendance numbers for MIP 2017 — (…)
On a technical level, VideoAge considers Netflix a streaming service because it is carried over the Internet using encoded audio and video signals in a container such as MP4 (from (…)
