The advantages aren’t obvious at first, and the realization could be slow in coming, but MIP-TV organizers are feverishly working to assure the best return on investment (ROI) for exhibitors (…)
Canadian television is currently tackling two major issues: Multilingual broadcasts and the rating system. In the midst of these issues, two old-fashioned media brawls have broken out. At stake, in (…)
During a quick trip to Miami to gather info for a preview of NATPE from the market base, VideoAge heard several assessments of three interlinked trade shows, as well as (…)
En 1986, la escena de la televisión latinoamericana comenzaba a surgir como una fuerza en el mercado de exportación (tanto que VideoAge lanzó una versión en español, VideoEra). En su (…)
On weekends, French TV network TF1 broadcasts a series of documentaries called La France Inconnue (or The Unknown France), about the Dom-Tom territories, which stands for Départements et Territoires d’Outre-Mer, (…)
“I loved that job.” That’s what Amy Pascal told The New York Times in June 2017 about her stint as chairman of Sony’s Motion Pictures Group. “I loved it so (…)
During interviews, market organizers — whether for MIP-TV, the AFM, the ATF, or NATPE — always seem to want to talk about their respective conference’s line-up of top-level executives. VideoAge, (…)
The Timeless Drama Channel (TDC) is a new venture from multinational group SPI International, which is headquartered in New York City, and operates a total of 16 offices around the (…)
One of the cover stories in last month’s Issue of VideoAge covered MENA territories — the bread and butter of the upcoming DISCOP Africa event in Johannesburg, South Africa, which (…)
“Frenemy” is an American word originally minted in 1953, but which only recently entered the common vernacular, and indicates persons (or companies) that are friends and enemies at the same (…)
