The Common Ground of African, Caribbean TV-Film
It’s easy to see how the shared historical identities of both Africa and the Caribbean regions impact their film-TV industry, and hence why it is possible to have shared distribution.
The (…)
November 2019
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How to Find a Rewarding Streaming Money Flow
Streaming is all the rage these days, so much so that it has the potential to overturn a business model that has worked well — and has been profitable — (…)
L. A. Screenings: Changes Will Bring New Opportunities. For Now They Bring Uncertainty
At May’s L.A. Screening, buyers kept one eye on the content on offer from the U.S. studios, and the other on developments behind the scenes at the studios that could (…)
This Time MIPCOM Is All About MIP-TV, The L.A. Screenings
The talk at this year’s MIPCOM is likely to be all about… MIP-TV 2020. That’s because there’s little to say about MIPCOM 2019, other than that it’s going to be (…)
October 2019
The FANGs — or better yet, the FAYGs — are wreaking havoc in the social, political, and business worlds, but there aren’t yet any known legal bases that will allow (…)
Movies in Greece Were Theo Kouroglou’s Life Until He “Moved” To the TV Biz
Many international film-TV executives would be startled to learn that what contributed to the media fortunes of two Greek families — the Kouroglou clan and the Triantafyllis tribe — was (…)
October 2019
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NATPE’s First Streaming Plus Had Lots of Pluses
NATPE recently hosted “Streaming Plus” a first-of-its-kind summit for the Los Angeles-based non-profit TV trade organization, during which leading executives from CBS, YouTube, The CW, and Netflix gathered to review (…)
TVFI Stages 25th French Film-TV Exports Expo
Only a few weeks after the G7 Summit was held in Biarritz, French content distributors and members of TV France International (TVFI) — the industry association of French audiovisual program (…)