August-September 2026
Blame television for the world’s social and political polarization, which amplifies social media more than print media. Such polarization now has a name, the Overton Window.
A Fantastic Film Mart
Is Heading to AFM
Less than a handful of years ago, there were rumblings of doubt among regular attendees at the annual American Film Market (AFM). Was the film market, which began in 1981, (…)
New Biz Events to Shine
At the Venice Film Fest
For its 15th edition, the Venice Production Bridge (VPB) — the business side of the 83rd Venice International Film Festival — will bring together 4,000 professionals from around the world (…)
TIFF: The Market Officially
Expected to Be Outstanding
Over the past few months, VideoAge received several press announcements from the three publicists for the Toronto International Film Festival (TIFF), which, for the first time this year, and after a 51-year (…)
Behind the Scenes At
L.A. Screenings 2026
For the past 63 years, the L.A. Screenings — originally called the “May Screenings” — followed a predictable pattern. First the American TV networks presented their new seasons’ series to (…)
NEM Sans NATPE
Makes a Splash
It looks like the turquoise hue of Croatia’s Adriatic Sea turned out to be better than the much-vaunted blue waters of the Danube, since, after just 13 years of existing, (…)
The Challenging Doc TV
Business Model Explained
A videoconference interview with Aurélie Reman (pictured), managing director of Sunny Side of the Doc, produced some additional information on a topic difficult to evaluate at a global level — (…)