Last autumn, the world hailed the agreement between the Writers’ Guild of America (WGA) and the Alliance of Motion Picture and Television Producers, Inc. (AMPTP) as a victory for writers (…)
The geography of international TV trade shows is changing once again, with more markets coming out every year, including a planned Istanbul TV Market in 2025 and a TIFF film (…)
Back in April, VideoAge (along with other industry publications) reported on the U.K.’s decision to make a future move to delivering TV content away from the historical tower/transmitter to a (…)
Editor and film critic Matt Singer chronicles how two men from the heartland of the United States popularized film criticism for the common man and turned the art of debate (…)
VideoAge had a talk with New York City-based international distributor Bruce Rabinowitz about the potential for African TV content, some of which he represents.
Media experts have been saying for years (…)
During the recent SXSW Conference in March one particular panel drew the press’s attention: “Building Brands in the Unhappiness Era.” Apparently, we are living in the grip of an unhappiness (…)
The concept seemed simple enough. And it was fully adopted by streamers. According to the April 26, 2024 edition of The Wall Street Journal: “If you’re selling something for $100 (…)
Overall, the 2024 edition of the L.A. Screenings was smaller than past editions, but better in terms of content quality (albeit with reduced output), licensing opportunities, and recreational activities.
Since companies (…)
A group of Italian film and TV actors assembled under the Artisti 7607 association has taken Netflix to court in order to increase the royalties given to performers from the (…)
The international TV sector is preparing for another faceoff this June, with Canada’s Brunico (NATPE Budapest) vs. the U.K.’s C21 (Content Warsaw). A judge would probably rule that the two (…)
