Blurred Windows: The Devolution of IP Rights
In order to deal with the devolution of windowing, or the changing patterns of media rights exploitation for audiovisual content, it is necessary to travel back in time to when (…)
L.A. Screenings: New Schedules, Changes, Mergers
With the increasing un-certainty, confusion, and unpredictability surrounding the 2019 edition of the L.A. Screenings, it’s a comfort to take stock of what actually is known.
It’s a definite that Twentieth (…)
Hollywood Heroines: The On- And Off-Screen Women Who Led The Industry
There are many myths associated with Hollywood. One that persists to the present day is the one that asserts that women contributed only marginally to the film industry during its (…)
AI in Dubbing: Almost There,
But Still a Long Way to Go!
AI has already been implemented into our lives. It’s in our cars, our telephones, our computers, our transportation systems, and our hospitals. AI is helping us make decisions daily. But (…)
New from the March Digital Edition: MIPTV’s ROI Isn’t Obvious, But It’s Definitely There
The advantages aren’t obvious at first, and the realization could be slow in coming, but MIP-TV organizers are feverishly working to assure the best return on investment (ROI) for exhibitors (…)
Ratings in Canada Don’t Give “Numeris” to Ethnic Channels
Canadian television is currently tackling two major issues: Multilingual broadcasts and the rating system. In the midst of these issues, two old-fashioned media brawls have broken out. At stake, in (…)
NATPE at a Crossroads of Big Changes
During a quick trip to Miami to gather info for a preview of NATPE from the market base, VideoAge heard several assessments of three interlinked trade shows, as well as (…)
Los Altibajos de la Exportación de Contenido Latinoamericano
En 1986, la escena de la televisión latinoamericana comenzaba a surgir como una fuerza en el mercado de exportación (tanto que VideoAge lanzó una versión en español, VideoEra). En su (…)
Selling TV Rights to 29 E.U. Territories Outside The E.U.
On weekends, French TV network TF1 broadcasts a series of documentaries called La France Inconnue (or The Unknown France), about the Dom-Tom territories, which stands for Départements et Territoires d’Outre-Mer, (…)
Book Review: Hollywood’s Big Picture Expands Out of Its Frame
“I loved that job.” That’s what Amy Pascal told The New York Times in June 2017 about her stint as chairman of Sony’s Motion Pictures Group. “I loved it so (…)
