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The surge of prediction markets in the U.S. now lets people wager on virtually anything. Platforms like Kalshi and Polymarket have recently exploded in popularity, following the current administration’s rollback (…)

The Grierson Trust has opened entries to the 2026 British Documentary Awards, also known as the Grierson Awards. The awards form the centerpiece of the Trust’s year-long celebration of the (…)

British broadcaster Five has acquired three-part doc series A Year at Kylemore Abbey from  Cornelia Street Productions for U.K. broadcast later this year.

The series follows the lives of a community (…)

Canada-based Blink49 Studios has entered into a two-year first-look producing agreement with Electric Avenue, the production company founded by actor/producer/comedian Will Arnett (pictured) and led alongside partner Marc Forman.

Under (…)

The Royal Television Society announced the nominations for the RTS Programme Awards 2026, to be hosted by Tom Allen for the fifth year at the JW Marriott Grosvenor House (…)

Yesterday, British Culture Minister Lisa Nandy said she would review German publisher Axel Springer’s acquisition of the Telegraph Media Group under the U.K.’s public interest and (…)

Banijay Entertainment has unveiled new comedy Kamoulox+. Produced by Shine Fiction and Les Molambakais, and directed by Arthur Sanigou, the new Canal+ Creation marks the return of iconic duo Kad (…)

Italy-based Rainbow has launched Winx Club & Friends, its first themed SVoD channel on Prime Video.

The channel, which launches today in Italy, France, the U.K., Finland and Sweden, features the very first TV (…)

Series Mania Forum  — set to take place March 24–26, 2026, in Lille, France — has added two additional keynotes to this year’s line-up.

Nicole Morganti, head of Originals Southern Europe, (…)

Parrot Analytics and Radial Entertainment have signed a multi-year partnership that enables the use of global, cross-platform audience demand as a component of Radial’s content valuation, programming, and growth strategy.

“We (…)