AFM’s New Badge Requirement
Today, October 31, the American Film Market (AFM) opened its doors for its 39th annual eight-day edition — its 28th in Santa Monica, California.
This year, for the first time, a (…)
Today, October 31, the American Film Market (AFM) opened its doors for its 39th annual eight-day edition — its 28th in Santa Monica, California.
This year, for the first time, a (…)
Two TV markets at exactly the same time, on exactly the same days. Could be doable… except for the fact that one, DISCOP, is being held in South Africa, while (…)
At the start of MIPCOM, the buzz was that fewer people were in attendance than at last year’s event because market participants were able to get bargain rates at top (…)
In the final installment of VideoAge’s pre-MIPCOM reports, Aysegul Tuzun, VP of Sales and Marketing at MISTCO, shared the company’s new shows for next week’s market.
“This year we are (…)
Newly created Madd Entertainment is the focus of this VideoAge installment of pre-MIPCOM reports. In this series, the Water Cooler is highlighting Turkish production and distribution companies.
Madd Entertainment is the (…)
This VideoAge’s installment of its Water Cooler pre-MIPCOM reports highlights Inter Medya. The company’s CEO, Can Okan, reported what the Turkish international content distribution company will be offering at (…)
VideoAge continues its series of pre-MIPCOM reports from Turkish production and distribution companies. This Water Cooler edition features Global Agency.
At this year’s market, the Istanbul-based independent content distributor will (…)
With this Water Cooler edition, VideoAge begins a series of pre-MIPCOM reports of Turkish production and distribution companies.
Like most of Turkey’s TV export companies, Calinos Entertainment is headquartered (…)
“We wuz robbed” is a uniquely American expression with dubious origins and paternity, but some think it was born in the early 1930s at either a boxing match or a (…)
This is a year of exposés — of Madison Ave (with Frenemies), of Hollywood (with The Big Picture), and of Washington D.C. (with Fear).
Madison Avenue was exposed by Ken Auletta, (…)