Guillermo Borensztein (pictured above) is the Buenos Aires, Argentina-based vp of Sales and Co-Productions for ViacomCBS International Studios (VIS) Americas. VideoAge reached out to Borensztein to talk about the upcoming (…)
To get a first-hand buyer’s perspective of the recently concluded virtual MIP Cancun TV market, VideoAge contacted V. John Baghdassarian, vp, Content Acquisitions and Strategy for the Los Angeles-based Olympusat.
Baghdassarian (…)
Just before the year’s end, VideoAge contacted Aysegul Tuzun, Managing Director for Istanbul-based distribution company MISTCO, to review her 2020 international content sales activities on behalf of TRT, Turkey’s public (…)
Stephanie Fialkow, manager of International Digital Distribution for New York City-based FilmRise, sent VideoAge‘s Water Cooler a first-hand report about her experience with the virtual MIP Cancun event, which was (…)
NATPE Miami’s virtual edition has received a vote of confidence from the Miami-based participants surveyed in the December Issue of VideoAge.
In lieu of face-to-face meetings during these COVID-19 times, virtual (…)
By Tony Friscia
For 15 uninterrupted years, a group of entertainment industry colleagues — self-described as “veterans” — have gathered together in Los Angeles during the L.A. Screenings to lunch with (…)
Jesse Baritz, Director, Content Acquisition and Development, for Los Angeles-based Multicom Entertainment Group, sent VideoAge‘s Water Cooler a first-hand report about his experience at the virtual American Film Market (AFM) (…)
The world at large is currently experiencing “Zoom fatigue” due to the extensive use of virtual face-to-face technology. This extensive use is imposed by fear of the coronavirus pandemic and (…)
By Dom Serafini
What has happened to American social and political researchers, surveyors, poll-takers, and data scientists? Lately, it seems like they never come up with any accurate projections.
In a recent (…)
In August 1986, VideoAge launched the world’s first TV Game $how Magazine, a New York City-based consumer monthly that, in its short life, reported on over 60 game shows, new (…)
