WaterCooler

By David Pridham* 

When I was a (…)

By Mike Reynolds

The Hollywood Foreign Press Association (HFPA) is back in the televised awards show game following an announcement that its 2023 Golden Globe Awards show will air on the (…)

There was an interesting article in the August 14, 2022 edition of The New York Times. The topic of the piece, which ran in the Opinion pages, is about the (…)

By Dom Serafini

That South Korea’s TV content was becoming popular with the international TV community was evident 20 years ago when the room at the Century Plaza where the Korean (…)

Unifrance Rendez-Vous returned in person in Biarritz, France following a two-year COVID-related hiatus, with a well-attended edition that kicked off on Sunday, September 4 with its traditional welcome reception at (…)

Hotel booking is a definitive a way to gauge, in advance, the imminent success or failure of a trade show. It is therefore a good sign that by late August, (…)

Here we are reviewing VideoAge‘s traditional September pre-markets Issue. This time, the edition’s front cover cannot help but highlight the fall’s four main markets: MIPCOM, NAB New York Show, the (…)

There is clearly a different standard when judging the performance of news channels and news programs when viewed by left-leaning audiences vs. right-leaning ones. Each camp loves to demonize the (…)

Soon the international film/television content sales/acquisition sector will begin planning trips to attend markets in Cannes (MIPCOM), Santa Monica (AFM), Cancun (MIP Cancun), and Singapore (ATF). In between, some of (…)

Since streaming media is widely understood to represent the future of entertainment, some might ask how “longtermism” could influence, shape, or change the direction of this relatively new technology?

The term (…)