L.A. Screenings Review: A Busy Market For Indies
Before the start of the L.A. Screenings 2017, it was begining to feel like like deja vu from the L.A. Screenings 2008, which was affected by the writers’ strike that (…)
Before the start of the L.A. Screenings 2017, it was begining to feel like like deja vu from the L.A. Screenings 2008, which was affected by the writers’ strike that (…)
It’s broadcast network upfront week. We’re covering all the network announcements, and bringing them to you right away. In our upcoming L.A. Screenings issue, we’ll publish the new series by international (…)
The indie portion of the L.A. Screenings will get under way in the Century City area of Los Angeles starting on May 16, and at the same time in New (…)
By Royal F. Oakes*
One of the time-honored excuses for continuing to exclude broadcast cameras from federal courtrooms is the notion that if proceedings are televised, that will change (…)
Reviewing Bill Peck’s 56-year-old career for the June-July Issue of VideoAge, is to not just go over the accomplishments of the first British International TV Distribution Hall of Fame honoree, (…)
With the L.A. Screenings fast approaching fast and VideoAge’s two editions (LATAM and Studio) being prepped for printing, all exhibitors and buyers alike are requested to send in screenings information for (…)
“Banji,” as Banjiro Uemura likes to be informally called, can be described as the entertainment industry’s Japanese cultural ambassador to the world, and the world’s cultural ambassador to Japan.
Now, Uemura’s (…)
As reported in the VideoAge Day 2 Daily at MIP-TV, the dates for the first International Cannes Festival of Series were announced for April 9-12, to be held at the Palais (…)
In preparation for MIP-TV, here’s an overview of what to expect from the April Issue of VideoAge, which, naturally, features a preview of next (…)
SPORTELAmerica was back in Miami again, at the JW Marriott hotel for a three-day market and conference event that began on March 14. It featured a market floor and four (…)