To get a first-hand buyer’s perspective of the recently concluded virtual MIP Cancun TV market, VideoAge contacted V. John Baghdassarian, vp, Content Acquisitions and Strategy for the Los Angeles-based Olympusat.
Baghdassarian (…)
Just before the year’s end, VideoAge contacted Aysegul Tuzun, Managing Director for Istanbul-based distribution company MISTCO, to review her 2020 international content sales activities on behalf of TRT, Turkey’s public (…)
Stephanie Fialkow, manager of International Digital Distribution for New York City-based FilmRise, sent VideoAge‘s Water Cooler a first-hand report about her experience with the virtual MIP Cancun event, which was (…)
NATPE Miami’s virtual edition has received a vote of confidence from the Miami-based participants surveyed in the December Issue of VideoAge.
In lieu of face-to-face meetings during these COVID-19 times, virtual (…)
By Tony Friscia
For 15 uninterrupted years, a group of entertainment industry colleagues — self-described as “veterans” — have gathered together in Los Angeles during the L.A. Screenings to lunch with (…)
Jesse Baritz, Director, Content Acquisition and Development, for Los Angeles-based Multicom Entertainment Group, sent VideoAge‘s Water Cooler a first-hand report about his experience at the virtual American Film Market (AFM) (…)
The world at large is currently experiencing “Zoom fatigue” due to the extensive use of virtual face-to-face technology. This extensive use is imposed by fear of the coronavirus pandemic and (…)
By Dom Serafini
What has happened to American social and political researchers, surveyors, poll-takers, and data scientists? Lately, it seems like they never come up with any accurate projections.
In a recent (…)
In August 1986, VideoAge launched the world’s first TV Game $how Magazine, a New York City-based consumer monthly that, in its short life, reported on over 60 game shows, new (…)
The 41st annual American Film Market (AFM) begins today, Monday, November 9, 2020. It takes place in a virtual Santa Monica, California (its traditional city) in eight virtual venues (as (…)
