There’s a new TV trade market in town: Content Americas. It’s the new kid on the block — the downtown Miami block, that is. Content Americas hopes to replace the (…)
Some of us in the media thought that Parrot Analytics was just a company from somewhere in the world that measures the popularity of television content around the globe.
“Not completely,” (…)
In preparation for the 23rd edition of the Asia TV Forum and Market (ATF), VideoAge connected with Singapore-based Justin Deimen, executive director of the Southeast Asian Audio-Visual Association (SAAVA), and (…)
Books are great — when there’s nothing worth watching on TV, that is. And sometimes those books even manage to creep up on TV screens anyway. VideoAge picked 12 books (…)
A number of the TV executives contacted for this article didn’t want to comment publicly, but the general impression seems to be that most industry green-lighters want to keep their (…)
The Miami TV market in January is alive and well. But it’s not NATPE Miami — it’s DISCOP Miami — and it comes courtesy of Basic Lead, the folks who’ve (…)
What happened to Michael Cimino? The acclaimed Italian-American filmmaker rose to fame with his 1978 war drama The Deer Hunter, which won five Academy Awards, but his follow-up film, 1980’s (…)
There have been a few changes to the TV landscape since the last MIPCOM, one of them being the surprising rise in Asian content across American TV screens in particular, (…)
“Language is at the heart of cultural identity; it shapes who we are and our perspectives. When we speak our languages, we share stories, pass on knowledge and create bonds (…)
The return of in-person international markets has all of the industry’s players very excited. MIPCOM CANNES, in particular, will be a thermometer measuring whether all this excitement is justified, and (…)
