VideoAge

By Dom Serafini

What’s “Independents’ Day” and why it is important to U.S. studios and independents alike?

This is not a riddle, but rather something that’s rattling our industry. And (…)

By Dom Serafini

This time you might think that I’ve gone completely cuckoo, but I’m honestly convinced that the world needs another international film-TV market. A different type of (…)

By Dom Serafini

A few years ago, restaurant cars on Italian trains offered sparkling wine as an apéritif, served coffee in porcelain demitasse and topped the fairly priced meal (…)

By Leah Hochbaum Rosner

With less than a week to go before the start of the 45th annual NATPE, the first big television market of the year, television executives (…)

By Leah Hochbaum Rosner

As the Writers Guild of America strike moves into its 11th week — with no new talks scheduled between the warring factions — U.S. and (…)

By Leah Hochbaum Rosner

As NATPE nears, television executives are readying themselves for three days of buying, selling and, perhaps, gambling — the market does, after all, take (…)

By Leah Hochbaum Rosner

As NATPE approaches, TV executives are busy prepping their catalogues and themselves for a Las Vegas market that’s sure to give people something to talk (…)

By Leah Hochbaum Rosner

In the days leading up to NATPE, some exhibitors are worried about the consequences the U.S. studios will face due to the Writers Guild (…)

By Leah Hochbaum Rosner

With the Writers Guild of America’s (WGA) strike raging and a mass studio exodus from the floor, the National Association of Television Program Executives (…)

By Leah Hochbaum Rosner

The Asia Television Forum (ATF) opens this week, and while talk of next year’s similarly themed Reed Midem-backed AMAZIA market has some ATF insiders worried, (…)