VideoAge

Before the L.A. Screenings begins, the action revolves around New York City, which has been a hotbed of industry activity this week, with the (…)

By Erin Somers

Most distributors at the L.A. Screenings fall into one of two categories: indies and studios. But what about the companies that fall (…)

By Dom Serafini

At one point the U.S. TV networks wanted to take over the studios. They lobbied Washington long and hard to the point that the opposite happened, (…)

By Dom Serafini

Being Italian, I’m accustomed to the Italian social-political Machiavellian-Byzantine way of life. However, during a recent visit to Germany, I was not prepared for the intricacies (…)

By Dom Serafini

There are different ways to curtail a free and open press: Censorship, threats, blackmail, well-orchestrated deceits, licensing journalists, etc. But, besides being killed as (…)

By Dom Serafini

This is going to be an “event” year for television, particularly in the U.S., and as we know, television luves big events. Indeed, this year promises (…)

A few days prior to MIP-TV, VideoAge managed to get a last minute outlook from two of Germany’s largest TV contingents in Cannes. Please note (…)

By Monica Gorghetto

There were mixed results at the recently concluded third edition of the Kids Licensing Forum, which coincided with the 47th annual (…)

The Latin American presence at MIP-TV is always a strong one, and this year will be no different. According to the organizers, 74 companies from across (…)

In view of the upcoming MIP-TV in Cannes, April 10-16, VideoAge posed five “frank” questions to MIP-TV’s director of the Television Division, Laurine Garaude.

VideoAge International: (…)