Istanbul-based Inter Medya has secured licensing deals for drama series Halef to broadcasters in Croatia and Albania.
The series has already aired in Romania, Hungary, Honduras, Angola, Mozambique, and Panama, (…)
“Italian horror [cinema] of the 1960s and 1970s was, in the truest sense, an export industry,” wrote Giovanni Pedde, a former Rome, Italy-based VP of Sales for CBS Studios.
He continued: (…)
Comcast NBCUniversal is set to build the Universal United Kingdom Resort, a theme park and resort in Bedfordshire, U.K., slated to open in 2031.
Today, U.K. Chancellor Rachel Reeves and Culture (…)
Creation Content has partnered with Passion Distribution and digital channel group network UpStream Media on a new YouTube-first factual series, Most Wanted With Billy Billingham.
The blue-light documentary series follows former (…)
Global streaming media measurement company Digital i has released its latest trend report, The YouTube Era: 2025 in Review, revealing continued growth in daily viewing, a shift in consumption from mobile (…)
MIPCOM Cannes (set for October 12-15, 2026) will feature Utopai Studios as a Headline Partner of the inaugural MIP AI Entertainment Forum.
Utopai Studios’ co-founder and CEO Cecilia Shen will present an opening (…)
U.K.-based distributor DCD Rights has secured sales for more than 150 hours of content to channels and broadcasters across the CEE region.
In Poland, Polsat has picked up 38 hours (…)
RTL Group has confirmed the closing of the transaction to acquire Sky Deutschland (DACH) yesterday, June 1, 2026. The transaction was unconditionally approved by the European Commission on April 22, (…)
The Africa Channel (TAC) will broadcast the exclusive U.S. premiere of Africa Forward – The Concert on June 14, 2026, as the centerpiece launch of TAC’s Black Music Month programming.
Filmed live (…)
Leading the Canadian Screen Awards (CSA) unscripted wins was OYA Media Group’s Bam Bam: The Sister Nancy Story.
With eight total nominations for the night, Alison Duke, Ngardy Conteh George and the team behind (…)
