The Road To NATPE: Take Five With Stephanie Pacheco
Managing Director, Latin America , CBS Studios International
VideoAge InternationaI: Is Miami Beach a better venue for NATPE than Vegas? And Why?
Stephanie Pacheco: Miami is (…)
Managing Director, Latin America , CBS Studios International
VideoAge InternationaI: Is Miami Beach a better venue for NATPE than Vegas? And Why?
Stephanie Pacheco: Miami is (…)
Michelle Wasserman, head of International Distribution Programming, Formats & Production Services for Argentina-based Telefe and Mexico-based Comarex/TV Azteca’s CEO Marcel Vinay weigh in (…)
By Dom Serafini
NATPE organizers’ biggest fear in moving to Miami was the risk that companies would be “bussing” international buyers out of the convention site (in this case the Fontainebleau (…)
By Dom Serafini
I’ve just come to realize that critics in general are an annoying bunch of individuals. Mostly because it’s difficult to understand them. The worst are food critics, followed (…)
By Dom Serafini
In a globalized world, language is important. And I’m not talking about the language or the fine print in sales contracts, but the kind that allows all of (…)
By Dom Serafini
Tired of reading and listening to all the problems facing traditional print media, I went on a quest to find solutions. Solutions that, as we’ll see, have to (…)
President, Television Distribution, Twentieth Century Fox Television Distribution
VideoAge International: At MIPCOM do you have a more definite picture of your output shown at the Screenings? Can you (…)
President, International Distribution, Sony Pictures Television
VideoAge International: At MIPCOM will you have a more definite picture of your output shown at the L.A. Screenings? Can you outline it?
Keith (…)
President, CBS Studios International
VideoAge International: At MIPCOM will you have a more definite picture of your output shown at the Screenings? Can you outline it?
Armando Nuñez: (…)
President, Global Distribution, Disney Media Networks
VideoAge International: At MIPCOM will you have a more definite picture of your output shown at the Screenings? Can you outline it?
Ben Pyne: (…)