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“Why can’t the AFM be like other markets, and last four days instead of eight?” asked Toronto-based Breakthrough’s Nat Abraham. “We would have a more efficient market full of meetings (…)

For its NATPE Miami Issue, VideoAge traveled to the South Cone to visit one of Latin America’s — and possibly, one of the world’s — most beloved TV pioneers, Pedro (…)

MIPCOM accomplished! According to official statistics provided by market organizers Reed MIDEM, MIP-week opened with 1,600 delegates and 660 buyers in attendance at MIPJunior on Saturday, October 14.

The Junior event (…)

It’s only MIPCOM’s third day, but VideoAge is already making plans for a combined Issue that’ll delve deep into both DISCOP Africa and MIP Cancun. Because, while they might seem (…)

The October (MIPCOM) Issue of VideoAge is big, but it can still be comfortably held by hand and carried around Cannes.

Articles that readers won’t want to miss include: “The Complex (…)

One aspect of show business that has little historical reference is the actual business of selling and buying film and TV shows. This element epitomized by trade shows is actually (…)

The 27th year of the Jornadas’ exhibition in Argentina was advertised as a three-day event: September 19, 20 and 21, (…)

Be prepared for a whirlwind of major activities in Cannes, all covered in VideoAge Daily. On the pre-market Sunday alone there’s the (…)

The Venice Production Bridge, the market that runs alongside the Venice Film Festival, took place from August 31 to September 5 at the Excelsior Hotel in Venice Lido, (…)

The last time VideoAge came out with a September Issue was during RAI’s Prix Italia 2002.

Ever since, advertisers and readers were disinterested and dis-incentivized in a September edition, looking forward instead to VideoAge’s MIPCOM (…)