VideoAge’s symbol for this year’s edition of the L.A. Screenings is the phoenix, the mythological bird that rises from the ashes. The Screenings, now in its 62nd year, is scheduled (…)
Below is a transcript of a podcast with Bianca Serafini, former head of Content Licensing at Viral Nation, hosted by VideoAge‘s editorial staff, and available on all major digital platforms.
VideoAge: (…)
Why is it so difficult to produce a hit these days? It was always hard, of course, but now it seems all but impossible. Years ago, U.S. TV outlets used (…)
FAST channels seem to be taking over the television business — not just in the U.S., but across the world. But how long can this last? FAST feeds on content (…)
While much has been written elsewhere about MIPTV and the market’s move from Cannes to London, with integration into the London Screenings, nothing has been said about how the “TV (…)
The word from the NATPE Global camp is that they’re not really competing with Content Americas since the Miami market is meant to be a global one, while Content focuses (…)
According to the Latin American production managers of the world’s leading U.S. streamers, their commission levels will increase in 2025.
This year, Netflix returned to being the leading commissioner in the (…)
It is well understood that the TV game has changed and that rules are different these days. In the U.S., a linear brand used to mean over-the-air channels — the (…)
In 2014, VideoAge spoke with Sean Cohan in New York City for an article titled, “A Frank Talk with A&E Networks’ Sean Cohan.” At that time, Cohan was its executive (…)
Last autumn, the world hailed the agreement between the Writers’ Guild of America (WGA) and the Alliance of Motion Picture and Television Producers, Inc. (AMPTP) as a victory for writers (…)
