WaterCooler

Lots of real news, unsubstantiated rumors — and even an announcement — were swirling around the Palais during the most recent edition of MIP-TV, which ended on Thursday, April 11, (…)

“MIP-TV is one of the most important content distribution markets for Toei Animation,” said Masayuki Endo, president and CEO of Toei Animation, Inc., the Los Angeles business unit of Tokyo-based (…)

When I last had lunch with Russ in Beverly Hills in February, he couldn’t have been any more energetic.

Religious themes were his passion, and he was ecstatic to be working (…)

The ninth annual Series Mania is now taking place in Lille, France. Last year, the event moved from Paris, where its organizing company is based, to Lille, a city in (…)

From Miami, Florida. The entire LATAM and North American TV sector is monitoring the drama currently unfolding in Venezuela with some trepidation.

Once a fertile ground for successful programming, Venezuela’s social (…)

The latest information about the L.A. Screenings 2019 is now posted on VideoAge‘s official L.A. Screenings page at: http://www.videoageinternational.net/l-a-screenings-2019/

The updated page covers:

2019-2020 U.S. Broadcast Network Announcements

2019 Latin Screenings

2019 General (…)

The March Issue of VideoAge is now online. This is the publication’s traditional mid-winter, digital-only Issue — the one issue of the year that is only available online at

This MIP-TV marks the 40th consecutive annual participation at the Cannes TV market for VideoAge‘s editor-in-chief, Dom Serafini.

His very first MIP-TV was in 1979, when he attended as International Editor (…)

Since the very beginning of television broadcasting in the 1950s, the three main U.S. TV networks (ABC, NBC, and CBS) have sponsored press tours. At these lavish junkets (which brought (…)

By Erica Buxton*

The digital age represents a new era for “edutainment” (defined as a blend of education and entertainment). What was once a passive form of content where, for example, children (…)